→ au meme challenge: Time twist: Game of Thrones as modern au: In buisness you win or you die, there’s no middle ground!: requested by wingsroad
- Alternate World: A setting that is not our world, but may be similar. This includes “portal fantasies” in which characters find an alternative world through their own. An example would be The Chronicles of Narnia.
- Arabian: Fantasy that is based on the Middle East and North Africa.
- Arthurian: Set in Camelot and deals with Arthurian mythology and legends.
- Bangsian: Set in the afterlife or deals heavily with the afterlife. It most often deals with famous and historical people as characters. An example could be The Lovely Bones.
- Celtic: Fantasy that is based on the Celtic people, most often the Irish.
- Christian: This genre has Christian themes and elements.
- Classical: Based on Roman and Greek myths.
- Contemporary: This genre takes place in modern society in which paranormal and magical creatures live among us. An example would be the Harry Potter series.
- Dark: This genre combines fantasy and horror elements. The tone or feel of dark fantasy is often gloomy, bleak, and gothic.
- Epic: This genre is long and, as the name says, epic. Epic is similar to high fantasy, but has more importance, meaning, or depth. Epic fantasy is most often in a medieval setting.
- Gaslamp: Also known as gaslight, this genre has a Victorian or Edwardian setting.
- Gunpowder: Gunpowder crosses epic or high fantasy with “rifles and railroads”, but the technology remains realistic unlike the similar genre of steampunk.
- Heroic: Centers on one or more heroes who start out as humble, unlikely heroes thrown into a plot that challenges them.
- High: This is considered the “classic” fantasy genre. High fantasy contains the general fantasy elements and is set in a fictional world.
- Historical: The setting in this genre is any time period within our world that has fantasy elements added.
- Medieval: Set between ancient times and the industrial era. Often set in Europe and involves knights. (medieval references)
- Mythic: Fantasy involving or based on myths, folklore, and fairy tales.
- Portal: Involves a portal, doorway, or other entryway that leads the protagonist from the “normal world” to the “magical world”.
- Quest: As the name suggests, the protagonist in this genre sets out on a quest. The protagonist most frequently searches for an object of importance and returns home with it.
- Sword and Sorcery: Pseudomedieval settings in which the characters use swords and engage in action-packed plots. Magic is also an element, as is romance.
- Urban: Has a modern or urban setting in which magic and paranormal creatures exist, often in secret.
- Wuxia: A genre in which the protagonist learns a martial art and follows a code. This genre is popular in Chinese speaking areas.
Word counts for fantasy are longer than other genres because of the need for world building. Even in fantasy that takes place in our world, there is a need for the introduction of the fantasy aspect.
Word counts for established authors with a fan base can run higher because publishers are willing to take a higher chance on those authors. First-time authors (who have little to no fan base) will most likely not publish a longer book through traditional publishing. Established authors may also have better luck with publishing a novel far shorter than that genre’s expected or desired word count, though first-time authors may achieve this as well.
A general rule of thumb for first-time authors is to stay under 100k and probably under 110k for fantasy.
Other exceptions to word count guidelines would be for short fiction (novellas, novelettes, short stories, etc.) and that one great author who shows up every few years with a perfect 200k manuscript.
But why are there word count guidelines? For young readers, it’s pretty obvious why books should be shorter. For other age groups, it comes down to the editor’s preference, shelf space in book stores, and the cost of publishing a book. The bigger the book, the more expensive it is to publish.
- General Fantasy: 75k - 110k
- Epic Fantasy: 90k - 120k
- Contemporary Fantasy: 90k - 120k
- Urban Fantasy: 80k - 100k
- Middle Grade: 45k - 70k
- YA: 75k - 120k (depending on sub-genre)
- Adult: 80k - 120k (depending on sub-genre)
A pseudo-European medieval setting is fine, but it’s overdone. And it’s always full of white men and white women in disguise as white men because around 85% (ignore my guess/exaggeration, I only put it there for emphasis) of fantasy writers seem to have trouble letting go of patriarchal societies.
Guys. It’s fantasy. You can do whatever you want. You can write a fantasy that takes place in a jungle. Or in a desert. Or in a prairie. The people can be extremely diverse in one region and less diverse in another. The cultures should differ. Different voices should be heard. Queer people exist. People of color exist. Not everyone has two arms or two legs or the ability to hear.
As for the fantasy elements, you also make up the rules. Don’t go searching around about how a certain magic spell is done, just make it up. Magic can be whatever color you want. It can be no color at all. You can use as much or as little magic as you want.
Keep track of what you put into your world and stick to the rules. There should be limits, laws, cultures, climates, disputes, and everything else that exists in our world. However, you don’t have to go over every subject when writing your story.
- Fantasy World Building Questionnaire
- Magical World Builder’s Guide
- Creating Fantasy and Science Fiction Worlds
- Creating Religions
- Quick and Dirty World Building
- World Building Links
- Fantasy World Building Questions
- The Seed of Government (2)
- Guide to Science Fiction and Fantasy
- Fantasy Worlds and Race
- Water Geography
- Alternate Medieval Fantasy Story
- Writing Magic
- Types of Magic
- When Magic Goes Wrong
- Magic-Like Psychic Abilities
- Science and Magic
- Creative Uses of Magic
- Thoughts on Creating Magic Systems
- Defining the Sources, Effects, and Costs of Magic
- World Building Basics
- Mythology Master Post
- Fantasy Religions
- Setting the Fantastic in the Everyday World
- Making Histories
- Matching Your Money to Your World
- Building a Better Beast
- A Man in Beast’s Clothing
- Creating and Using Fictional Languages
- Creating a Language
- Creating Fictional Holidays
- Creating Holidays
- Weather and World Building 101
- Describing Fantastic Creatures
- Medieval Technology
- Music For Your Fantasy World
- A heterogeneous World
- Articles on World Building
- Grand List of Fantasy Cliches (most of this can be debated)
- Fantasy Cliches Discussion
- Ten Fantasy Cliches That Should Be Put to Rest
- Seven Fantasy Cliches That Need to Disappear
- Avoiding Fantasy Cliches 101
- Avoiding Fantasy Cliches
- Fantasy Cliches
- Fantasy Cliche Meter: The Bad Guys
- Fantasy Novelist’s Exam
- Mary Sue Race Test
Note: Species (like elves and dwarves) are not cliches. The way they are executed are cliches.
Stop what youre doing right now. Being as in love with LOST as I am, I must say I dont know if Ive ever saw a video that captures all the sad, heartbreaking, and beautiful moments like this one, both visually and using the pieces of the script, and I have watched 100’s of fanvideos, and I make them. Kudos for such a masterpiece.
Radioactive (Music Box Version) - Imagine Dragons
Well that took me 0.01 seconds to reblog
I imagine this playing in a brutal fight scene, explosions everywhere, smoke and debris flying in slow motion, while the bots charge into battle in absolute horror of what is happening.
Imma write a fanfiction with this song.
ALEX KINGSTON AND PETER CAPALDI WOULD BE AMAZING ON SCREEN TOGETHER.
When you’re having trouble trying to convey a certain emotion without it coming off too cliché, too obvious, or you’re just plain flat out of indicators, this thing will be your best friend in the whole wide world.
It’ll give you a definition of an emotion. It’ll give you physical signals that indicate it. It’ll give you internal sensations, mental responses, even cues of long-term effects, possible escalated emotions, even cues for suppressed emotion when you don’t want to write it overtly.
It’s not going to write a story for you, nor will it cover every base you want it to. But this thing right here will create an excellent foundation to grow from if you’re a little shaky on how to properly convey the right tone. For anyone who needs a bit of help with Show, Don’t Tell, this is a wealth of information.
Trust me: you want this book.
Epub is like $5 too, oooh cheap~
It’s a fucking godsend. Here, have a dl.